When their son starts acting strangely, a couple unwittingly allow dark and sinister forces into their home, awakening a long-dormant ancient evil rooted deep in the countryside.
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Reviews
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Geronimo1967★6
2y ago
"Richard" (Matt Smith), his wife "Jules" (Morfydd Clark) and their young son "Owen" (Arthur Shaw) have moved back to his late father's remote hill farm. Not long after they arrive the young, asthmatic, lad starts to hear a voice that seems to be compelling him to become erratic, even violent. Before his parents get to the bottom of this, though, there's a tragedy that upends their marriage and sees him spend an increasing amount of time doing what he like to do best - archeol…
S
Sejian★7
2y ago
Bunnies are supposed to be cute! THIS ISN'T CUTE, IT'S UNNERVING!
Methinks it's about time I watch Lamb (2021).
SPOILERS AHEAD!
Harrie kinda annoys me, but if we consider that Dandelion Jack already has everyone under it's influence, as implied by Juliette's trance-like state at the start of the movie, I suppose I can accept the ending. From the moment she steps back into the house, heck even Richard tells her to leave, "Harrie, this is weird, get out of the damned …
griggs79★7
2y ago
Starve Acre weaves together a familiar yet haunting British folk-horror narrative. In it, a man confronts dark, long-buried family secrets amidst the eerie, windswept expanse of the North Yorkshire Moors. The film’s remote setting adds an unsettling layer to the story, amplifying the isolation and creeping dread that define the genre.
Morfydd Clark, known for her captivating performance in Saint Maud, once again brings quiet intensity to the screen. As a mother consumed by…
FolknHell★8
23d ago
There is something wonderfully matter-of-fact about the horror of *Starve Acre*. Richard returns to the place where his father abused him, starts digging for the remains of an ancient oak and discovers that the family folklore he might reasonably have preferred to leave buried was, inconveniently, not metaphorical.
Daniel Kokotajlo's film understands one of folk horror's most useful principles: the past does not need your belief before it starts causing trouble.
Richard…