In order to trap him, he must become him.
In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind. The plan turns sour when the criminal wakes up prematurely and seeks revenge.
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It's like looking in a mirror, only, not. There's a tendency to undervalue the action movie. Certainly there's a wide expanse of land in cinema world where film fans reside, where the thought of praising an action film for being "classic" cinema is considered treason against the very word. Yet some of the artistry involved in the genre's leading lights is purely sublime, regardless of how bizarre and unlikely the plot is. Enter John Woo's berserker, ear splitting, high oct…
A quality all-out action film! <em>'Face/Off'</em> isn't one that'll stick out in my memory as something deep meaning, incredibly written or anything of the sort. However, as an action film it's superb. There's barely a chance to rethink what you've just seen due to the prevalent and manic nature of onscreen events. You also have fascinating performances from the two leads. Nicolas Cage and John Travolta are awesome in this. I won't spoil the plot, but all I will say is…
Never seen a concept for movie this way. They literally trade faces. Good versus evil and not only do they trade faces but there characters and personalities have to change as well. 2 of the best that could ever do it. John turns into Nicholas and Nicholas turns into John. I would say Nicholas Cage played it better then John Travolta did.
“Troy” (Nicolas Cage) is a nasty piece of work, and his latest bombing plot has attracted the attention of FBI man “Archer” (John Travolta). Now he has some personal skin in the game, as his nemesis was responsible for the death of his young son - an event both he and wife, physician “Eve” (Joan Allen) are still coming to terms with. When they apprehend him, though, the boffins come up with an unique plan that will enable "Archer" to infiltrate the terrorist gang and bring th…
**Score: 9/10 — A Glorious, Unhinged Masterpiece of Maximum Overacting** Some films are subtle. Some films are restrained. And then there is *Face/Off* a film that takes the concept of "going for it" and launches it into orbit with a rocket strapped to its back. Directed by the inimitable John Woo, this is a movie that operates on a wavelength entirely its own: a gloriously unhinged, operatically ridiculous, and utterly mesmerising symphony of overacting, bullet ballets, a…
