Who’s next?
Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.
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From TMDB users.
Sometimes God's love can be hard to swallow. A super slice of sub-urban horror crafted by Ben Wheatley, Kill List blends a number of classic British films but still remains very much its own beast. And what a beast it is. Part hit-man thriller and part Wicker Man pagan horror, plot spins hit-man for hire Jay (Neil Maskell) out of his troubled domestic funk, into a world of pain and misery. Taking on a job, he, along with his partner Gal (Michael Smiley), is given a list of…
A bit tough to understand on the first watch, yet gripping and a compelling portrayal of inner demons. But seriously, are the British the only film-makers who can make a decent crime/thriller film??
Rubbi... Wait, people love this? Before I started my review, I decided to take a quick look at the Letterboxd reviews. I always play a minigame in my head by attempting to guess the average rating, for example for the last film I watched - <em>'Jack the Giant Slayer'</em> - I called it spot on at 2.4. This I genuinely predicted less than 2.0... it's at 3.5! To tell you I was flabbergasted would be an understatement. There have been films in the past when my thoughts are…
*Kill List*’s cleverest trick is not that it turns into a folk-horror film. It is that, by the time the masks and torches arrive, it has quietly made the case that Jay has been inside one all along. For much of the film Ben Wheatley shoots his world like grubby domestic reportage: handheld cameras, naturalistic light, awkward rooms, rows about money, men trying to recover some idea of usefulness through work they are spectacularly ill-suited to describe at parents’ evening…
