Nothing is black and white.
In 1920s New York City, a Black woman finds her world upended when her life becomes intertwined with a former childhood friend who's passing as white.
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If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Black-and-white films are something I'll always cherish, but when these two colors become part of the narrative itself, then I can only expect a great movie. Passing approaches the fear of being colored due to obvious reasons of the film's period, and it does so in a necessarily disturbing, emotionally investing manner. Tessa Thompson (Irene) plays in the colored side while Ru…
“Passing,” based on the 1929 novel by Nella Larsen, is and elegant and sophisticated film. It’s drop-dead gorgeous to look at, and the lead performances from Tessa Thompson and Ruth Negga are absolutely fabulous. Rebecca Hall‘s restrained direction adds to the beauty of the film, as does Eduard Grau‘s handsome black and white cinematography. There’s so much about this project to praise, but you may hear some refer to the movie as “nuanced” — which is nothing more than a polit…
Tessa Thompson is "Renie" - married to successful doctor "Brian" (André Holland), who heads for some tea after a long day and encounters childhood friend "Clare" (Ruth Negga). She doesn't immediately recognise her because she has little colour in her skin... Indeed, as the story pans out even her husband, the pretty openly bigoted "John" (Alexander Skarsgård) has no idea that his wife is negro. "Clare" is pretty lonesome, and soon finds solace and popularity amongst her frien…
