The granddaughter of the world's greatest leader is a hostage in the most dangerous place on Earth. Now only the deadliest man alive can save her.
In the treacherous frontier city of Samurai Town, a ruthless bank robber is sprung from jail by wealthy warlord The Governor, whose adopted granddaughter Bernice has gone missing. The Governor offers the prisoner his freedom in exchange for retrieving the runaway. Strapped into a leather suit that will self-destruct within five days, the bandit sets off on a journey to find the young woman—and his own path to redemption.
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If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Nonsensical. Absurd. Ridiculous. Just plain stupid. These words usually serve to describe an incredibly awful movie that I try to forget forever and ever. However, some extremely rare pieces of absolutely crazy filmmaking are also characterized by the adjectives above, offering me the most entertaining time I can possibly ask for. An example of this case is Prisoners of the Gh…
There’s an unspoken rule of kick-ass cinema that goes something like this: if Nic Cage is attracted to a project, it’s guaranteed to at least be more interesting than most, if not all-out bonkers. Such is the case with “Prisoners of the Ghostland,” an outrageous achievement in gonzo filmmaking from director Sion Sono. The film doesn’t have a very complicated plot and a lot of it makes no sense, but this is a badass-looking showpiece of cult cinema. A bank robber (Nicolas C…
The problem with _Prisoners of the Ghostland_ is that Nicolas Cage himself tried to promote it as the craziest film he’s ever made, but the film never lives up to the insane concept of having a bomb strapped to your nutsack. The film forcefully shoves Mad Max influences into a Japanese theme with nuclear deformed samurai ghosts, bouncing gumballs, animal masks, pinwheels, and bubbles, and Nicolas Cage threatening to karate chop everyone into oblivion. All of this absurdity so…
