The next true story from the case files of Ed and Lorraine Warren.
Lorraine and Ed Warren travel to north London to help a single mother raising four children alone in a house plagued by malicious spirits.
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From TMDB users.
**This time a London family struggle in their haunted house.** First of all, I am not a big fan of the first film, but I liked that. Now this sequel was not bad either. This time it takes us to the London. But the film reminded me the 80s film 'Poltergeist', particularly the second part. So don't assume it is exactly the same, only the scenes involving house seems similar, but the story was different. It is another true story based film, that's what they said in the openin…
I know I'm in the minority on this, but I actually preferred it to the original. _Final rating:★★★ - I personally recommend you give it a go._
I'm giving this half a star more than I gave the first movie. As a horror film in its own rite, it's competently made, although somewhat predictable as it follows most of the traditional haunted house film tropes. But it is better than the first one in that it's a more cohesive film, with such corrections as how the background "monster" actually does play a part in the story, whereas in the first film Annabelle was shoehorned in but had nothing to do with the main story and s…
Really solid sequel, and a re-watch before seeing the third film, in fact probably liked this one slightly better, with some good scares but better, a nice heart at the center with the relationship between Ed and Lorraine, played wonderfully by Patrick Wilson and Vera Farmiga. Once again, craft-fully directed by James Wan, a style missing from the others in the 'Conjuring Universe', though the plots didn't help matters. **4.0/5**
This is rated "R" and it's hard to believe...but let's face it, scary movies just aren't that scary anymore. Not that many of them ever were. And even then few have actually provided the constant nightmares of The Exorcist... But The Conjuring 2 feels like it's going for the PG scares to not lose audiences. The potential is there, but the director is flying with one hand on the chicken switch and pulls out of everything that's not worse than a jump-scare. We have …
