From where I stand, as I have said before, predictability is the cardinal sin of filmmaking. If one can foresee what’s going to happen, there’s little point in watching the movie, now is there? And, unfortunately, such is the case here in the latest release from director Carlson Young. Based on the best-selling novel of the same name (2025) by Anna Todd, the cinematic version of this story is a clinic in formulaic filmmaking, where virtually every plot development is apparent…





















