Redbelt

Redbelt may not be, though it’s still pretty good, David Mamet’s best, but it is for the most part an interesting sample of his work in that it showcases some of his most finely honed traits and, more importantly, it is proof that the true mark of a gifted filmmaker is the ability to elevate any genre he chooses to use as raw material (his Spartan is another good example, as is Steven Soderbergh’s Haywire); in this case what we have is a deconstructed martial arts film, compl…