Dead is just a word.
Four years after defeating The Grabber, Finney Blake is struggling with life after captivity. When his younger sister Gwen begins receiving calls in her dreams from the Black Phone and seeing disturbing visions of three boys being stalked at a winter camp, the siblings become determined to solve the mystery and confront a killer who has grown more powerful in death and more significant to them than either could imagine.
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From TMDB users.
As far as improbable sequels go, "Black Phone 2" isn't too bad. Revive a deceased bad guy you would have thought was done with and craft a tale that feels somewhat like the first film, blended with an almost "Nightmare on Elm Street" premise. I have to say these elements combined with a dash of nostalgia from the 80's works, quite well. Sure its not A grade horror but its still creative, creepy and above all, entertaining. In summary, a not unfamiliar but still we…
**One of the best horror sequels that will go down as an instant classic in a couple of years** I already feel like this film doesn't get enough praise for blending multiple horror franchises together, but still delivering something brand new that fits in the same world as the original film. It takes the classic camp setting but sets it in a blizzard (Friday The 13th meets The Shining). It explores dreams, the spiritual realm and the afterlife (A Nightmare On Elm Street me…
This is quite a decent icy thriller, but is hasn’t anywhere near the claustrophobic intensity of the first film from 2021. It is still Mason Thames who portrays the now seventeen year old “Finn”, convinced that he seen the last of the “Grabber” but still having nightmares about a phone ringing. To add to his sleeplessness, his sister “Gwen” (also still Madeleine McGraw) is having some fairly torturous nightmares that, coupled with some sleep-walking, are unsettling both of th…
It was just okay. First one was better. I understand that horror movies aren't realistic usually, but this one was way too much unrealistic unlike first part.
Black Phone (2025) shifts its horror focus from confinement to lingering trauma, revealing that Finn’s past terror never truly faded with time. As supernatural threats blur with internal fears, the film explores grief, denial, and inherited wounds rather than pure physical danger. While solid in character development and atmosphere, its reduced focus on the phone itself and unanswered questions leave the story feeling more like a bridge than a full reckoning. Read the full…
