Always have an exit.
When an elusive thief whose high-stakes heists unfold along the iconic 101 freeway in Los Angeles eyes the score of a lifetime, with hopes of this being his final job, his path collides with a disillusioned insurance broker who is facing her own crossroads. Determined to crack the case, a relentless detective closes in on the operation, raising the stakes even higher.
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Full review: https://movieswetextedabout.com/crime-101-movie-review-chris-hemsworth-and-mark-ruffalo-anchor-a-heat-lite-crime-thriller/ Rating: B "Crime 101 asserts itself as a solid and extremely competent crime thriller that, while not reaching the same thematic depths or cultural impact of the classics it's inspired by, offers high-level entertainment sustained by a luxury cast and irreproachable technical execution. By balancing the tension of expert editing with th…
“Davis” (Chris Hemsworth) is one of those rare breeds of thieves. He has scruples about violence and so always wants to avoid hurting those whom he robs. It’s a sound policy as usually it is the couriers he is relieving of their diamonds, or watches, or jewels. His latest job didn’t quite go to plan, though, and feeling a bit unnerved he tells his ageing fence “Money” (Nick Nolte) that he wants out. He's not the kind of man to let the job go unfinished, so drafts in his far l…
The aptly named "Crime 101" looks a lot like any by the numbers entry-level script for an action crime drama/thriller. There's exactly nothing new on offer here. Unless you are 100% new to the genre, this film will feel overly familiar, tired, predictable and ultimately clichéd. Dropping in a cast of well-known faces does nothing to fix the lack of originality on offer here. I managed a little over half of this flick before remembering I only had one life and didn't wa…
It’s been said that crime doesn’t pay, but, as this notion is often portrayed in the movies, that’s only true if one gets caught. Perpetrators skilled in covering their tracks frequently manage to find a way around the law, provided, of course, that they’re truly adept at managing to stay ahead of authorities. That theory gets seriously put to the test in this third feature outing from writer-director Bart Layton, the story of a slick, enigmatic, unassuming Los Angeles jewel …
