Just because Jonathan's fallen in love with a piece of wood, it doesn't make him a dummy.
Jonathan Switcher, an unemployed artist, finds a job as an assistant window dresser for a department store. When Jonathan happens upon a beautiful mannequin he previously designed, she springs to life and introduces herself as Emmy, an Egyptian under an ancient spell. Despite interference from the store's devious manager, Jonathan and his mannequin fall in love while creating eye-catching window displays to keep the struggling store in business.
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Looking in your eyes I see a paradise. Mannequin is either a sweet affectionate nostalgia movie – or an empty vacuous experience that fronts the bad side of 1980s American film making? Of all the teen comedies and brat packer pictures that flooded the decade, Mannequin appears to be the one that has no in between fan base, you either love it for what it is, or despise it and everything it stands for. So how do you review something like that? I mean if you have seen it a…
<em>'Mannequin'</em> is pure cheese and very silly, but I can't deny it's a nice piece of light entertainment; it's cute, in its own way, too. Andrew McCarthy and Kim Cattrall both fit their respective roles well, so does everyone else on the cast; Meshach Taylor is the standout of the rest. There really isn't much more to say. It's a simple movie and I simply enjoyed it. Oh, and "Nothing's Gonna Stop Us Now" is a banger.
After an altercation with a department store sign, the young “Jonathan” (Andrew McCarthy) saves the day and gets himself a job from it’s owner (Estelle Getty). This is much to the chagrin of the shop’s boss “Richards” (James Spader) especially when he starts to make a great impression on the public with his window displays. For that skill, he must thank an ancient Egyptian who has materialised several thousand years after having had a row with her mother in an Edfu temple. Sh…
